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BROEDPLAATSBLABLA
BROEDPLAATS ARCHIVE
A collection of source materials (mostly in Dutch) with background
information about the development of Project Broedplaats.
BROEDPLAATS FORUM
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Please note - This is a first draft of the document first presented
at Robodok festival, which itself was later sent with some amendments
to members of Amsterdam City Council and Project Management Bureau,
but is the only English version available at this time.....
Commentary On Broedplaats Policy
* A number of large buildings have been completely ignored by
the Project Managemant Bureau (PMB) because there is too much
money involved with them (ADM, Entrepotdok). It is only said that
there is nothing that the PMB can do and that is the final word.
It is possible that a replacement location will be sought. Additionally,
a large number of the people who submitted the 1998 raadsadress
from which the whole broedplaats policy originates have been completely
left out.
* Temporary solutions solve nothing!
The PMB is mainly occupied with the creation of temporary projects
while the emphasis should be on permanent projects. A broedplaats
must have time and space to develop itself and not be confined
by time limits.
* The PMB has in its Plan of Approach placing of broedplaatsen
in the fringe edges of the city. This means that they will be
tolerated or created mainly outside the city center while the
inner city is an important location for certain types of activities.
Additionally, because of city growth these locations must be further
pushed aside as these areas become more economically interesting.
Placing these broedplaatsen in out-of-the way areas (i.e. Kinetisch
Noord) goes against the philosophy that subculture is a necessary
ingredient for a liveable and culturally interesting inner city.
* A broedplaats makes an enormous contribution to the cultural
climate of a neighborhood. You often see that no-go areas are
brought to life after a building has again been put to use. In
such a way the broedplaats increases the liveability and economic
climate of a neighborhood. They contribute their own economic
value in this manner and should not be expected to generate money
from within the building itself.
* At the moment the Plan of Approach has as its baseline a rent
price of fl 70/m2 which through self-maintenance and management
can be reduced to a minimum of fl 50/m2. This may appear to the
outside world as a very reasonable amount, but if you consider
that the majority of the people in such a building already place
all of their time and energy in getting projects up and running
and making the spaces open to the public you will realize that
they have no time or energy left over to find an outside job to
make money to pay the rent. The rent is paid in time and energy.
Additionally, if the most important goal of all projects that
take place is to generate money to pay rent, the artistic side
is lost because everything revolves around making money. You cannot
make money on subculture. Amsterdam should support and stimulate
culture instead of trying to market it.
* The PMB should direct more attention on places that already
exist instead of only trying to create something new. In this
way you also prevent the whole story of defining criteria which
people must satisfy in order to conform to broedplaats policy.
If a group of people demonstrate the initiative to get an interesting
project up and running themselves why then isnt the attention
of the PMB mainly directed at supporting these groups instead
of only being busy with purchasing buildings and creating possibilities
for new groups to house themselves?
* In setting up various criteria to which people or groups must
conform in order to fit into the broedplaats policy you try to
define something which cannot be defined. It is just such diversity
of differing dimensions onto which a label can never be placed.
And, above all, each group and situation is different. By means
of criteria you also get the situation in which people that have
already lived and worked in a vrijplaats for a very long time
could suddenly fall outside the criteria.
* A very important aspect of a broedplaats is that there is not
only working but also living in them. At this moment the emphasis
is really only placed on working in these buildings--especially
for artists. But, these buildings are not only about art and artists.
Culture and subculture should not be defined only in artistic
terms, but contain all aspects of life which contribute to the
specific qualities in these types of buildings. At this time the
living-in aspect is being ignored in most of the contracts which
are being offered. In this way it is being shown that the value
of this aspect is being considered only in the legal interests
of the PMB (rights that are granted to people who live in such
a building).
*At the moment it is expected that the groups that are or will
be housed in a broedplaats building will write all sorts of economic
and business plans. This is not the manner in which projects develop.
They must grow from themselves and not be totally thought-out
from the start. Additionally, the writing of such plans cost an
enormous amount of energy from the people who must write them
because in most cases they have no experience in these things.
This energy is better spent on developing of projects rather than
on writing of plans. It is rightly an important quality of these
buildings that they develop themselves and are not completely
thought-out before hand.
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